ATC scm25’s self powered British sensations, sometimes the big bucks pay off !
Amphion One 18s Nearfield Monitors, Oh my my my, Mixing Nirvana
Meyer HD-1sThe very first of self powered monitors in its field and still real contenders
JBL LSR-6332Full Range Midfields = Loud!
Yamaha NS-10'snear fields, yes they are in every studio in the planet so if you need em we got em
Vintage British Audiophile speakers in B Room
Advents Home Bookshelf speakers from the 70’s, real balance checks on these, I LOVE these things
Bryston 4B-ST x 2 Pure Clean Amplification!
Ashley Mosfet 1000
Hafler P3000x 2, Hafler P-225 x 2
Crown D-75's x 3
Furman HP-6 personal Headphone systems x 6 (The clients LOVE their independence)
Headphones Various lobby listening environments with more stereos and speaker combos
1962 Fender Bassman Blonde, the “best year” for Bassmans
1964 Fender Princeton blackface,,12 watts of pure Fender tone
1968 Fender Deluxe Drip Edge transition year (silverface outside, blackface inside)
1968 Fender Pro Reverb Drip Edge (your hip now silver out, black in)
Fender VibroKingamazing 60wt combo 3x10 that I think tips the scales Tone(s) Supreme
Fender Blues Jr. smarty pants wannabe can make Rhodes pianos sound great
HiTone JP 30/15wt Jimmy Page Model HiWatt clone ,,Where was this amp all my life?!
HiTone DR504> Perfect clone of the venerable HiWatt 504 ,the most harmonic and muscular of the studio!
Victoria 20112 > perfect clone of the Neil Young Fender Tweed Deluxe,works on anything and everything
Naylor Super Drive 60, one of the earlier boutique amps that made everybody say WHOA!
Marshall 100w 1971 Super Lead / defining all the classic tones
Marshall 50w1973MK 2 Lead / more drive, less wall shaking
Marshall 50w1983 JMP 2x12" combo = up yours punk/metal
Marshall 20w2061x Handwired English Bulldog of tone
Marshall 18w1974x Handwired Li’l Bluesbreaker combo, tube rectifier glorious spongy saggy spunk
Ceriatone / Marshall JTM-45 Clone, ubercool especially with thebig glass KT66’s
1974 Ampeg V-2 60w For Guitar OR Bass it delivers
1973 Ampeg VT-40 = Rolling Stones 70's guitar sound
Ampeg Reverberocket Reissue = the secret weapon when all else fails!
Vox 1966 AC30 SuperTwin Trapezoid HeadThis Amp is a Religious Experience
Vox AC30 w/2 blue bulldog 12" speakers = history in your fingertips
Vox AC15baby AC30 sort of, actually way more versatile and gets a lot of use around here
Orange Tiny Terror, Le Enfant Terrible’ wtf?
1964 Gipson Titan w/matching 2x12 cab 100wts of unique clean,grind and or grit
1960 Vega tube amp = unreal rarity has the best of Tweeds with the heart of a Supro
Sears Silvertone tube amp "Champ" style
Soldano Hot Rod 50 = like its famous big brother The SLO this is a Hi-Gain Buzz
Mesa Boogie Lonestar 100 / 50 watt The “better Boogie”
Mesa Boogie Studio Pre-Amp with Mesa Boogie 20/20 Tube Power Amp
Roland JC-120 Jazz Chorus clean, shimmering, powerpop jangle or Mettalica Neo Classical
1973 Ampeg B-15 flip top w/15" the classic workhorse
1974 Ampeg B-15 flip top w/15", liked the first one so much I got another
1971 Ampeg SVT 300w all tube masterpiece from Marley to Radiohead 1987
1989 Ampeg SVT ll early 90’s = modern voices, more choices
Ampeg V4-b 100wt Bass version of the V4 lets you gather more sustain and drive if desired
Fender Bassman 135 early 80’s driving thunky chunky or deep bass tone
Gallien-Kruger 1000 astoundingly tube like, way watts!
Demeter Tube DI/Pre Amp which set the bar way high for the pure Tube meets Wood tone
Sans Amp RBI rack Bass DI/Pre Amp processor, amazingly more efficient that some of the Amps its emulating
Peavey all tube power amp tweaked to cleaner specs for pre-amp options